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Oil on Belgian Linen
15” x 18.5” (Matted & Framed)

 

Employing old masters' techniques, I painted a grisaille (grey underpainting on a two-toned ground linen). This was followed by transparent coloured glazes, and a final layer to intensify highlights and shadows. It was a labor-intensive process, but reveals the luminescent benefits of dynamic colour mixing. The idea is that light passes through the transparent layers of paint creating a unique optical experience of colour.

Red Apple (Study)

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